Using Zones for Black and White Photography: Exploring Photography with Mark Wallace: AdoramaTV


done this episode I’ll be showing you my
abbreviated version of the zone system for shooting black and white photos.
Adorama TV presents Exploring Photography with Mark Wallace.
Hi everybody welcome to another episode of Exploring Photography right here on Adorama TV. I’m Mark Wallace in the city of Puno Peru
and my altimeter says that I’m just shy of 13,000 feet and so I’m having
a tough time breathing on this very busy street. Well I was out shooting today with my 5D
Mark III, my 24-70 millimeter lens and there is not a cloud in the sky
there is just a lot of shadows and contrast and that means it’s a perfect
setup for shooting black and white photos and
that’s what we’re gonna be talking about in this episode. Shooting black and white photos using
the zone system that was originally created by Ansel Adams. I’m going to be showing you my
abbreviated version, my interpretation of his own system, specifically on how to do
post-production and get really contrasty, dark, moody images. But before we do that I wanna
talk to you about the contests that Adorama’s hosting right now. They have
awesome contests and you can win some great prizes. So click the link can you might win
today. Now when we’re shooting black and white
photos were not actually just shooting black-and-white, we’re shooting black a bunch of shades of grey, all the way to light grey to white. Now back in the past we only shot film,
there was a system called the zone system that Ansel Adams created and system was used for seeing light for
processing negatives and going into the dark room to process
your prints so you’d get these really high contrast, beautiful prints. We don’t talk much about this zone system
these days because well film and digital photography are a little
bit different. But in this episode i wanna talk to you about my abbreviated version
of the zone system. Instead of using 12 stops of light like
Ansel Adams did, we’re gonna use 5 zones. Now don’t send me an email saying this isn’t the zone system. I know it’s not the zone system, but it’s rooted in the zone system. Well let’s talk about those five zones of light. Those zones are black, shadows, mid tones, highlights and whites. Now to understand all of this
stuff better we really need to dive into Lightroom
and take a closer look. So let’s do that right now. To get started let’s take a look at
those zones again we have black, our shadows, mid tones’s, highlights and whites. Now they are not distributed like this in this top bar. If we looked at in evenly distributed from
black all the way to white. A gradient. The black’s really take up just a
small portion or the very darkest the greys. Our shadow’s take up a lot
larger portion. The mid tones are right in the middle.Our highlights take up another large portion, and our whites really are the
very very edge, the absolute whites. Now we can
actually see these in our develop module on the histogram. So take a look here you can see it says blacks, shadows, exposure, now that’s mid tones and we’ll explain that later why thats called exposure in the
histogram, and then we have our highlights and our whites. We can see on the histogram we actually have spikes here that shows us that this lines up to what our zones are. We have two spikes over here in the
highlights because we have a highlight here and then I made this little background it’s a little bit lighter and so that shows up as the second spike. We can also see that these show up here. We’ve got exposure or our mid tone’s. We’ve got highlights, shadows, whites and
blacks. We’re gonna be using need to adjust our images. Now what we want to do, we
have a goal, and our goal is to create high contrast
black and white images using these zones to manipulate
the total values in our images. We want blacks that are
absolutely black, and we what whites that are absolutely
white and we want to adjust everything else according to our
artistic vision. The process works like this. First we adjust our mid tone’s. Then we set our black and white points. Next we adjust the
shadows and highlights according to our artistic vision. Then we make color
conversion adjustments if we need to and then last, we do some fine-tuning. Well
now that we know the basic steps to our process let’s put those steps into action by editing 3 images. The first
image we’re going to edit is this color image. We’re going to learn how to identify
where the different zones are and then convert this to a high contrast
black and white image. This will give us the basics of our editing process. The second image is this image of this lock. We’re going to do
something I like to call zone shifting, where we set our black and
whites and our mid’s. Then we’re gonna shift some of those shadows and highlights zones into other
zones to create a really high contrast sharp image. Then
lastly we’re going to take a look at this image,
where we shift some the color conversions to see how color impacts our black and white conversions. it’s really important. Let’s get started by editing this
wall. So I will go over into the developed module. Now before we get started on this I wanna
show you a little trick that Lightroom has for us. So I’m gonna open up our chart that we
started with. We need a visual cue to show us where the absolute whites and the absolute blacks are when we begin to edit our images. Now to
do that what we can do is there are these little triangles up here in the histogram and
this will show us our clipping. So highlight clipping and our shadow
clippings just click on that. Anything that absolutely white will show
up as red. Anything that’s is absolutely black will show up as blue. I can turn it on and off by hitting
the ‘J’ key. Or by clicking these little triangles in
histogram. I prefer the ‘J’ key and so that will really
help us out. Alright so let’s get started on this
wall here. The very first thing I want to do is
set my mid tones, and do that, actually very that first
thing I want to do is convert this from a color treatment to a
black-and-white treatment. So let’s do that right now. Now the first thing I want to do is to
set my mid tones. Now I do that by using the exposures
slider. What I can do is if I slide this to the
right my mid tone values will increase and if I slide this to
the left they will decrease. In other words in luminosity they’ll get brighter or
darker. That way I can say, you know what do I want this to be my mid tone or this to be my mid tone? If I want this to be my mid tone well, I need
to sort of slide that to the right. If I want this to be by mid tone I need to
slide that to the left to bring that into my mid tone values. That’s the very first thing you want to do
is, say where your midterms are and you get to choose. This is something Ansel
Adams was a big about saying you choose where the middle gray
is and then work your way out from there. So
I want my middle grey to sort of be this bottom area and this door, this
bottom door. I don’t wanna lose a lot of details in the blacks up here where the shadows are in the door. So I’m gonna bring that back pretty close to
where it was because I thought we had a pretty good starting point. So right back to 0. This image we have a
good starting point. Right next let’s set the black-and-white
points. To do that I’m going to press ‘J’ on my keyboard so I can start bringing
the blacks down to see where that is showing up.
See I’m getting a lot of blacks here. I’m gonna bring this down so I start seeing
blacks not bleeding into the details in the
shadow areas, because I wanna still see that. So I’ll bring that down. Think that’s about as much as I want to
do there because it’s starting to impact the door. I wanna see those details. Next I’m gonna bring my whites up. You can see on the histogram we don’t have any whites. So I will bring those over to the right.
Keep going, keep going, keep going. Now we start to see some white showing
up in our image and that is really giving us a lot more contrast then we
started with. Right now that I have my black and white point set, I will turn off
those warning labels. Now I’m gonna start working with my shadows. Up here in this
corner we don’t really see much in the door and so what I’ll do here is I’m going to take the shadows and shift them to the
right to bring the more into the mid tone area. Now we’re seeing some of those values show up here. We can actually see the details in the door and up here on the wall and then I’m
going to play with the highlights just a bit. Bring those down just a hair, maybe a
bit more. So I’m gonna see a little bit more of the
detail in this wall. That looks pretty good. Now im I need to
do some fine-tuning here. One of the things you can do as you can do is you can just go into the contrast slider and just slide that back and forth or do some sharpening and
some things like that. I think this is a pretty good basic
conversion from our color to our black and white image. Right now
that we have some of the basics down let’s get an image that is more
appealing to us. When I was shooting this wall I notice that there is this lock on
the door that had some really interesting light and so
that’s where we’re going to go next. So here is our lock. Now this lock we’re
really gonna get into the nitty-gritty of converting to black and
white. Notice that we can see details across the board here. So we’ve
got shadows here we can see detail in the upper right-hand side. I want
this to be a super contrasty image. So the very first thing I’ll do is
convert this again of the treatment to black and
white. Alright this is sorta contrasty it but is not where I
want it to be. The mid tones are exactly where I want
them to be I like where the mid tone values are. So I’m not gonna
change the exposure slider at all it. It’s in a good place. But I really want this to be
more contrasty, so I’m gonna turn on my clipping warnings here. I’m gonna
start by taking my blacks way down. So we’re gonna go all the way down into the eighties maybe about right there. So 88, 89 in that area. So you can see that I’ve really taken the blacks down. So we’ve
got a much more contrasty image but you can see we don’t have any
whites in this image really. So let’s do that next. So I’m gonna take my
whites and I will keep those going higher and higher and
higher. Until I’m about well, about right there. I’m judging
this based on these red clipping highlights showing up. These little
the warnings. So I want this to be really contrasty and you can see immediately that we have a high contrast image. But we lost a lotta detail up here. Our shadows have gone away. Our detail on our lock is gone away and
so we need to bring that in. So now let’s play with the shadows and the highlights. So the shadows what I
want to do to bring some detail back in So I’m gonna say you know what, shift those to the right
about like that so we’re in the forties the upper forties. So you can see that we are just now are starting to get a little bit more detail up here that was completely black. So
we’ve shifted the shadows from black back into the shadow area. So
we’ve shifted that zone back. The next thing I do is play with
the highlights here. Now the highlights what I want to do is I want to take them and i wanna go the
opposite way. So I checked the highlights from the highlight area and shift them
down into the mid tone area. So I’m gonna go left and shift those
down. Down, down, down. So we’re gonna take those down into the 50’s. About like that, and that is affecting this area right
here making it much, much more contrasty. I really like this. Now one of the issues though I’m having
is I really wanted to see the detail on that lock. Well guess what we can go
up here and we can use an adjustment brush in
Lightroom. I’m gonna tell it to take my shadows all the way up to almost 100
and then I’m going to paint on top of this lock here and that’s
shifting those really dark shadows up into almost
the mid tone range. Not quite but we’re getting
some of that detail back. So I’ll close that. You can see we
have a really dramatic image. So we went from
something that wasn’t very contrasty to do something that’s
extremely contrasty. Take a look at that. Let’s see if we can look, I saved a little a snapshot here and you can see where we
went from the color image back to where we were. There. That is a huge, huge difference. Okay last but not least we’ve gotta
figure out how color impacts our black and white images. So what we’re gonna do is we’re gonna go
into this portrait that I made of this gentlemen here in Puno. A really
great guy. Now one of the things that happens
when you go in and you create a black-and-white image from a
color image, is the colors are converted to different luminosities and by default Lightroom determines what
those color mixes are. You can see this down
here in the black and white mix. So theres sort of this auto setting that
happens automatically. Now we can’t go into great detail into
that in this episode but I didn’t an episode on it. Its digital photography 1 on 1 : episode 232 :
how color influences black and white photography. I
really suggest that you watch that. Let’s take a look here. If we go over
here there’s this little dot. I can click on that. When I do I get the
special icon and then I can click on area in an image and I
can make it darker or brighter. What I’m doing is I’m
adjusting the luminosity of the orange in my conversion and by doing that I am making this guy’s
face darker or brighter. So maybe sometimes I’ll
go in here and I’ll click this auto conversion. You can see that this is
sort of a dull image, but I can click on his face I can
bring that up. I can click on the background I can
bring that down. Uou can do all kinds of things, you can make his coat a little bit darker. I can get a much
much better conversion by playing with this mis of colours in my black and white mix. Again make sure you look at Episode 232: how color influences black and white
photography for more information on this but don’t forget that that is available
cuz you can really make a big difference to your black and white images. Right
there you go all the different steps for converting images from color to black and white
using the zone, the abbreviated zone system and some color conversion. Well I hope this
will you help you with your post processing a black-and-white images. I just want to mention that this
video doesn’t include everything that we could possibly talk about about black
and white photography but I have some more videos at the Adorama
Learning Center that will help you with this topic. Specifically fifty shades of
black about processing the different mid tone’s and shadows and
blacks in an image. Understanding stops if that’s new to you
and a bunch of other videos so make sure you check out the Adorama Learning Center for more
information and don’t forget to subscribe so you don’t miss a single episode of Exploring Photography or any
Adorama TV video. Thanks again for joining me and I’ll see you again next
time. Do you want great-looking print’s at low-cost? Be sure
to visit our easy to use online printing service. Adorama pixs has professionals who treat your images
with the utmost care that you can count on. For a quick turnaround on photos., cards or
albums use adoramapix.com

90 Comments

  1. hawg427 October 28, 2014 at 7:35 pm

    I just had flashbacks from when I went to Photo school in Daytona Beach Photography School.  We had to study The Zone System for 6 Mos. but of course when I went there we had to shoot using 4×5 view cameras 🙂  I wonder if Ansel would have gotten into the Digital scene. Photographers today just don't know how lucky they are getting to use post production. I had to do all my stuff in a darkroom. LOL This is so much easier than shooting 4×5 and having to develop ea. neg. by itself. Good video 🙂

  2. Jason Patz October 28, 2014 at 7:35 pm

    Great information.  Clearly and concisely explained.  Thank you Mark!

  3. BrotherBloat October 28, 2014 at 10:22 pm

    excellent video as usual, Mark!

  4. Mahmoud Abdul Halim October 28, 2014 at 10:44 pm

    very informative an very nice video good job mark.. can u help me please in my choice between d750 and d810 i really like the d810 but the files size is so BIG and 1/4000 ss in the d750 i do not like it..i am interested in wedding photography so mr mark what is your advise to me thank you

  5. Malte Christensen October 29, 2014 at 12:00 am

    Nice video. Have you ever considered using the 'Y' key to show the before and after side by side?

  6. Gewglesux October 29, 2014 at 2:30 am

      very  detailed!!  thanks for the upload!

  7. Luis H. Reyes October 29, 2014 at 5:44 am

    Amazing simplification!

  8. Jon Peters October 29, 2014 at 10:44 am

    A really great tutorial yet again Mark as I love converting to B&W. I think its very popular today.
    I'll certainly put your lesson into practice.
    How's the trip going btw? When do you expect to finish it?

  9. rdauld October 29, 2014 at 12:36 pm

    Excellent Mark. Just getting into B&W and this is really helpful ! 

  10. John C October 29, 2014 at 2:07 pm

    Once again, Mark, you have shown a new way to me to unlock the power and versatility of Lightroom. Your videos are the best! Thank you for taking the time to post these videos during your travels.

  11. Adorama October 30, 2014 at 12:27 am

    Mark Wallace is in Peru with your latest photography tips!

    Learn how to use zones of light to convert color photographs to stunning, high contrast, black & white images. http://adr.ma/1nOl4se

  12. rwellford1 October 30, 2014 at 6:47 pm

    Thanks Mark. Always love your stuff, but you look like you could really use some solarcaine right now.

  13. spallan100 November 1, 2014 at 10:24 pm

    love your video's Mark

  14. Joey Joiner November 5, 2014 at 12:40 am

    Mark always says so much in a way we all can follow and understand. Loved this episode on the zone system. I've always needed a simple and usable breakdown I could apply to my photography. Thanks Mark!

  15. Ken Cheng November 6, 2014 at 11:57 pm

    Mark, you need a higher SPF sunblock 😉

  16. John Korvell November 18, 2014 at 7:21 pm

    I hover my cursor over areas of the image to check where my zones are.  White shows up in the 90's / black close or at zero. This helps me control (especially) if any whites are getting blown out totally or if some pixels remain.  I also click and hold on the histogram to shift zones a bit. Last, I use the color temperature slider to do some fine tuning when the image is already B&W.

  17. Ted Nelson November 19, 2014 at 1:59 am

    I didn't notice the pink bow until the before and after at the end of the shot.  That would have been a cool photo with a little pink in the bow!

  18. Gardner Calibuso December 10, 2014 at 3:42 am

    Great tips! Thanks..

  19. bivboy10 December 18, 2014 at 10:33 pm

    cheers Mark very good mate

  20. عمار الشايب December 19, 2014 at 11:39 pm

    Soo beautiful video
    I wondered if still there is a way to do this process by apps that don't have black and white adjustment capability. Only exposure, highlight and shadow?
    eg. Adobe Photoshop Express

  21. Tamir Aloni January 5, 2015 at 1:37 pm

    Very interesting.

  22. Kochavi Givoni February 6, 2015 at 4:52 pm

    Mark, like always, very good  tutorial! I love B&W….
    Tank you 

  23. Cory Lievers February 15, 2015 at 9:06 pm

    This is great, thanks. I'm going to try this on my next black & white conversion.

  24. Charles Kraskin February 22, 2015 at 3:11 pm

    Great beard!

  25. Clarton Dulay February 24, 2015 at 6:19 pm

    Thank you so much for this tutorial!! Really helps me a lot as a beginner. More power Mark!

  26. Geof Powell March 22, 2015 at 8:20 pm

    I learned some good tips for adjusting B&W shots in Lightroom.

  27. olayinka bolaji March 31, 2015 at 1:46 pm

    really nice, very useful tips.

  28. Heinz Hagenbucher April 28, 2015 at 5:41 pm

    Hi Mark. Thanks for this very helpful and interesting video. I'm looking forward to try it out soon. Have a great day.

  29. canturgan April 28, 2015 at 9:16 pm

    It's the tone system. Good information.

  30. Mark Cunningham May 30, 2015 at 8:58 am

    Really appreciated this video guys.. i love that no matte how much you use Lightroom, you learn different things and techniques frequently…thanks!

  31. anthony parker May 31, 2015 at 3:45 pm

    just a thought why do pro photographers always open with "with my ladida camera and so and so lens ?"

  32. Towald Graves June 25, 2015 at 2:16 pm

    Very cool

  33. Gibberishus July 3, 2015 at 8:21 am

    I actually prefer shitty looking prints at high cost.But thanks for asking!
    Great episode by the way🐶

  34. opwave79 August 10, 2015 at 5:51 pm

    Cool video.  Ha ha…somehow it seems a whole lot easier to just use my film camera to shoot B&W and just split filter print.  Just kidding!  I needed the Lightroom review.  Thanks 🙂

  35. Word up! August 28, 2015 at 2:29 am

    AA is spinning in his grave

  36. Richard Hamilton September 10, 2015 at 1:21 pm

    Really helpful as a beginner Mark, thank you!

  37. 32ndFoto January 31, 2016 at 7:52 pm

    Very helpful..

  38. Konrad K February 17, 2016 at 10:08 am

    I was going to watch a movie on Netflix, but then this video distracted me and got me all interested in playing around with some B&W photography again… also this ISN'T THE ZONE SYSTEM! Oh wait… never mind. Taught me a lot – thank you.

  39. jorgelvs30 February 20, 2016 at 3:19 am

    Mark, Thanks for this great tutorial.

  40. John Kraemer June 13, 2016 at 1:45 pm

    Very good overview! Thank you for sharing!

  41. Cheng Cheng June 24, 2016 at 6:19 am

    that was really helpful for me, thx for sharing!!!

  42. Ian Palmer July 4, 2016 at 8:27 pm

    Simple, stunning, superb

  43. Humberto Abed July 15, 2016 at 5:47 pm

    Great tutorial!! been watching lots of videos on how to convert to BnW and edit but yours is really great. Thank you

  44. Mikey Colon August 7, 2016 at 1:11 am

    Awesome

  45. Michal Jesenský August 17, 2016 at 8:27 pm

    Perfect explanation. Easy to follow and fun to watch. Mark's videos are my favorite.

  46. Jerry Ranch September 2, 2016 at 11:14 pm

    The " zone system" was used by painters for hundreds of years before Ansel Adams. He merely applied a component of composition and tonal theory to photography.

  47. Hartanto Agung Wicaksono September 6, 2016 at 9:23 am

    awesome video! thank you! by the way, when i edit picture, how should i set my monitor's brightness? should i set it in the middle? or should i max my screen brightness? any other paramater on my screen i should adjust before editing a picture?

  48. oraghz02 September 15, 2016 at 3:12 am

    hey Mr.Mark Wallace
    interesting interpretation ! see you next one !

  49. PARIS RYAN September 20, 2016 at 5:37 am

    Got to love the contrast of black and white! Check out my b and w short "Breather"

    https://www.youtube.com/watch?v=M2WofycrJ2Y

  50. Erin Golloher September 24, 2016 at 12:59 am

    Just seeing this now, and I am LOVING all the tips! Makes so much sense and I'm putting it to use as we speak!

  51. eph elle September 29, 2016 at 10:02 pm

    o_O

  52. aidan mcknight November 24, 2016 at 5:50 pm

    Thanks for this…fantastic

  53. Kyle Cullen November 24, 2016 at 11:26 pm

    I just re-edited my last shoot which I did black and white. I was feeling a bit deflated about my first edits but after watching this video I like my shots again. Thanks a lot for the great tips 🙂

  54. Long Sha January 11, 2017 at 1:56 am

    Great skills. but to be honest, I don't think the super contrasty image is better than the original plain BW version.

  55. Gema Jimenez January 17, 2017 at 1:13 am

    where is the image of the old run down house for sale in spanish from? It looks incredibly familiar!

  56. EJAZ AHMED DARS January 18, 2017 at 5:13 am

    hello sir, how to make dslr pictures look like film??
    thank you.

  57. Dax Heke January 31, 2017 at 11:05 am

    Very interesting, thx

  58. Mark Harris February 4, 2017 at 6:14 pm

    I really like the photograph of the lock, that's the sort of shot I prefer to do on film.

  59. FrankATracy February 12, 2017 at 12:51 pm

    For anyone looking for a great (in camera) B&W app for their iPhone or iPad, check out Hueless. You actually see the image as B&W as you take it. No conversion necessary.

  60. F.G. Kaye February 26, 2017 at 4:20 am

    In Truth, your 5 Zone system is best explained as the " Color Zone System ",

    Re-Invented by Sinar's own Hans Karl Koch… It became known as the Zone System

    for exposing Transparency Film, explained in Sinar's Bulletin # 40, ( I think it was 40 ).

    Unfortunately OOP, but the histograms on the backs of digital cameras were similar

    to the film H&D curves used to expose film.

  61. Chet Bowman March 15, 2017 at 5:29 pm

    Great video, well explained and demonstrated. Very practical

  62. coyote7106 April 17, 2017 at 9:04 am

    Thank you fot this video. It is what I really needed to go further. These are small tips extremely important end usefull but one cannot find easily and quickly alone.

  63. Ayke Gaze May 11, 2017 at 6:29 am

    Very interesting topic. Bravo

  64. Chakib Abi-saab June 16, 2017 at 2:18 am

    Thank you for this video.. Brilliant. I am really going to practice this technique from now on.

  65. Jim Blackie September 28, 2017 at 3:00 pm

    This just transformed my B&W work from mediocre to outstanding. I can't thank you enough for helping me understand tones and the zone hack you devised!

  66. Mark M October 5, 2017 at 5:27 pm

    Adams' original prints were not very high contrast. Most of the high contrast stuff of his that you see now were reprinted by him in the 1960s and 1970s. He chose more contrast as he got older.

  67. Sam Barnett October 9, 2017 at 2:43 pm

    Awesome video! So much knowledge.

  68. MacClellandMan November 26, 2017 at 7:48 am

    I am glad to hear others applying the principals of Zone System to digital photography. The Zone System Ansel Adams explained was not about getting high contrast images. It was about control in order to serve creativity and to be able to anticipate how tools, light, film, paper, chemicals, temperature, and time could be manipulated to bring into the concrete what begins in the imagination. Adams wanted to take the guess work out photography. If he wanted to reduce contrast, hold shadow or highlight detail, etc., he used his system. He was brilliant technically as he was creatively.

  69. Kobe Harris December 6, 2017 at 4:22 pm

    this is cool

  70. Kobe Harris December 6, 2017 at 4:27 pm

    I just had flashbacks from when I went to Photo school in Daytona Beach Photography School.  We had to study The Zone System for 6 Mos. but of course when I went there we had to shoot using 4×5 view cameras

  71. Sumit Aggarwal December 15, 2017 at 1:37 am

    Can you use this for color images?

  72. broken rohit January 31, 2018 at 5:55 pm

    Excellent tips, just entering in black and white photography.

  73. Ilja Schoenheinz February 11, 2018 at 6:33 pm

    But is sitting infront of a PC still photography? Just my opinion…

  74. Sergio Sotomayor Prat May 9, 2018 at 1:10 am

    Mark, I have very good experience with your videos and your cognitive quality, so I venture to consult you if you have a workflow suggestion for me to try to replicate the content of this video in Photoshop exclusively (without resorting to Camera Raw, whose operations are similar to Lightroom)

  75. CFS GR.MURUGAN May 17, 2018 at 2:24 am

    its may very advanced tutorial in the aspect of black and white photos

  76. Harsh Nama June 4, 2018 at 12:24 am

    Very useful video. Thank you 🙏

  77. Laís July 17, 2018 at 2:54 pm

    Awesome! Thank you!!!

  78. Cyrille July 27, 2018 at 12:48 pm

    I've seen (a lot !) of videos on editing photography and this one is def in my top five. Thanks for those awesome tips ! I'll never look at a locker the same way again 😊🙏🌈

  79. Arijit Biswas August 5, 2018 at 7:23 pm

    Nice.

  80. shadowmihaiu August 20, 2018 at 9:00 pm

    Nice discussion but… really?? Your "abbreviated zone system" is the standard system built into photo editors?

  81. Snowman August 23, 2018 at 5:21 pm

    the rolling advertisements in these videos is painfully annoying. Click here, buy this. Sigh.

  82. dipbhattacharya August 24, 2018 at 6:35 am

    12:59 – where can I find this option in photoshop cc ? can anyone give me the path ?

  83. mhs vz September 7, 2018 at 2:29 pm

    Thank you.

  84. Chris Foong September 26, 2018 at 5:13 am

    With the Lumix GX9 I bought recently, I just shoot in L Monochrome D for B&W and RAW (in case I needed colour later). Very easy.

  85. Stanley Prendergast October 15, 2018 at 1:58 am

    This is so great

  86. Richard Lynch October 24, 2018 at 12:31 pm

    too much clipping!

  87. Lift_Heavyy Gaming November 1, 2018 at 3:31 pm

    Hey everyone have recently started up my instagram black and white profile I was hoping you guys would check out the page and let me know what you think ? @Cu3llo_andy ..

  88. Ray C February 8, 2019 at 2:05 am

    Hmmmm, what about calibrated development times to achieve N-2, N-1, N, N+1 and N+2 ranges in the negative?

  89. Guillermo April 7, 2019 at 3:13 pm

    Good B&W Lightroom tips, BUT you didn´t understand Ansel Adams zone system, you should avoid blacks and whites with no detail.

  90. A. S. July 15, 2019 at 9:36 pm

    This is such an awesome video about B&W.

    Thanks much

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