Street Photography Part 1a

street markets, there a brilliant place to practice street photography, and we know that this is a very very popular genre because of the number of requests asking about street photography. now it can be a bit of a scary thought to wander around in public, with your cameras taking photographs of complete strangers
because some of them aren’t gonna like that one of the most important things is that
you feel good about yourself in doing it you’ve got to be confident, you’ve gotta kind of own the right to be there, and you’ve also gotta be able to interact with the people and the environment. now, there are three different types of photograph, which make up street photography in my mind you’ve got the inanimate objects you’ve got some ketchup bottles over there next to the burger van you’re gonna have coats hanging on racks, you’re gonna have people selling vegetables those are all inanimate objects which can make a some really good pictures, and if you get some people in the background so much better but those are inanimate things, they say, street market or still life then you have the traders themselves
these people come here week after week you can get to know them, you can be friend then you can get them to start to trust you so you could say spend some time in one
place such as this guys burger van, shelleys snacks, i could spend time there, maybe an hour or so just photographing him, his customers and life as it happens around his van, now, that’s probably the easiest way to break into working with people in an street market because you’ve only got one main person to deal with, because if they’re ok with it, chances are there customers will be too. then of course you have the on the huff stuff, you might have someone walking up the
street laden with shopping complete strangers you’ve had no contact with them at all, but you know it might make a great picture. or of someone buying a cup of tea, or a burger or someone discussing something with a trader or lugging some furniture up the street, as we bumped into someone doing just that earlier all these things make great pictures so what we’re doing this film is start
looking at the inanimate objects that can take you through what i’m doing and why i’m doing it . You can watch is i start to interact
with some of the stall holders and get their permission and make sure that they’re happy for me to do things now it’s really important not t get in the way of store holders, because these guys are here to make money, they’re here to work, and earn a living so let’s have a go, i mentioned those tomato ketchup’s and things like that, i’m going to go and give it a lash. no no no, i’m going to talk to you about cameras, sorry i completely forgot about that bit. what am i going to use for my street photography? now my favorites are wide-angled lenses, i love the intimatecy and going very close to someone with a wide-angle lens
lens so i’ve got one of my camera bodies set up, with my ten to twenty mill zoom. so that means i can get very close, in and among-st the action. there’s another reason for wanting to do that, particularly when people are concered i think it’s better to be up front about what you’re doing and say this is why i’m here, this is what i’m doing, do you mind? and be in and among the action with a wide lens than t is to be hiding behind a wall, peeking around the corner with a long lens because you’ll look kind of sneeky and in these days, there’s sort of concerns over photographs of children, ect like that, there is a pretty good chance the police might be called, in fact if we were called on, like Jane and myself a couple of years ago doing some secret film for a filming for a television program a couple of years ago, having said that, i have got my long lens on, this is one of the rare occasions in one of my films were i’m using uh… F2.8 professional lens this is where the kit can make a
difference because i don’t know what’s going to be
happening with street photography the lights going to be changing all that sort of stuff so i am going to use this lens because it has a very wide aperture that means i’m less likely to get camera shake at a high shutter speed with a low lens i’m carrying with me a mid range lens as well but for most the time i want to try in
work with my wide angle because that kind of, i dunno, it gives me that intimacy that i like. let’s go and have a look at those ketchup and things over there,. i also have one big tactical error going on here because a) i keep dropping litter everywhere and b) i haven’t got a coat which i can put my lens i comfortably and easily and so i can get at it quickly that was a mistake to come out doing that, your best of with a baggy old jacket i wouldn’t recommend carrying a camera bag because one you can’t move particularly
quickly and two there we go, you can see we’re having problems already and three fiddling around with a camera bag isn’t necessary a good idea. but you cant take an eye of your bag and leave it in the street, because someone is going to possibly walk of with it tea over let’s have a look now i kinda like all this sort of ketchup-y stuff going on you know with the burger van in the background so what am i going to do? well i want a wide angle shot, of the street and the burger stand with some of these people we also sort of want some of this sort of stuff here going on in the foreground big and strong i’m going to try a bit of different options i’m going to use quite a bit of depth of field, does it need more or less?, i’m going to play around with it as i do it. my iso, i will have to set to four hundred, don’t get scared by highering iso speeds because if there’s a bit of grain in there it’s better to have the grain and a sharp image than it is to have a fine-grained blurted image. not only that, but life can get a bit grainy at times can’t it, but don’t be afraid to push your ISO up a bit with my short lens it doesn’t matter so much what my shutter speed is because i’m never going to need anything
faster than a twentieth because it’s a twenty mil lens let’s have a look at this shot here, so let’s have a look, oh i like that already. i got that straight away, straight out the bag, i love that we got these these these sources here busy, we got the guy on the phone, we got the.. the burger van going on in the background let’s just get on in, a little bit closer to these. Another great thing with wide angled lens is people often look at you as you take pictures and not realize that they’re in the shot, i really like that and that’s a really documentary still life another approach to these could be with
the long lens let’s just swap over and see what we can come up with but to do that I’ve got to be much much further away, for my subject matter than i am now , and i’m not altogether certain that it’ll work. Let’s see. i did quite like this kind of you know this messy stuff round the table if you’re after some source mate, that’s fine you can carry on. no worries at all but in fact i might take a picture of you doing it if you don’t mind? aw, good good, look at these men doing the sauces, marvelous, thanks mate. aw that’s cool. don’t be afraid to speak to people too. most people are alright as i say, you’ve got to own the right to be there. the shot i’m interested in is looking between these bottle tops with the ketchup and the stuff on the top so i’m using the long lens wide aperture F2.8 and i’m just focusing on the ketchup bottle. look at that. love it, that’s very street market-y. we got the tomatoes sauce kind of congealing around the top. lot’s of people have been putting it on their burgers and stuff like that. i think that’s really cool this is where the long lens can come in really really handy, it’s very good at isolating things. with a short aperture that means there’s a shallow depth of field which will photograph those details. i’m also kind of glancing around, because i don’t know what’s going to happen next, and i know i’m supposed to be doing inanimate objects and a must try and concentrate but i can get carried away with this because i love photographing people. i’m also just looking up on the stand here, on the burger van, look at those eggs, those eggs are interesting. we’re just going to take a shot through here because they’re eggs do you mind if i photograph your eggs mate? haha, that’s very kind, thank you. look at that, this is really cool. again the longer lens is brilliant for this sort of thing. look at that. we’re just kind of looking through at those eggs, just sort of peeking out. i think that’s quite cool, it’s kind of market-y still life, it kind of fits the sequence around the burger van, i could spend an hour here, and we will come back another day, i want to spend more time here


  1. Mike Browne January 3, 2013 at 8:34 pm

    Hi – it isn't in the sense of capturing moments containing humour, irony, quirkiness or of the greats like Cartier Bresson. But if you're a beginner who's never photographed in a public place before and are nervous about doing it – how would you suggest a novice begin with the genre? – Mike

  2. hakf (Armshouse.TV) January 3, 2013 at 8:48 pm

    I think the term "street photography" is very specific – if I were to explain it to someone, I would hand them the book 'snaps' by Elliott Erwitt. That doesn't mean people need to photograph on the level of greatness as the likes of him but it gives them the right direction. What you do in this video is not 'street photography' as much as it is photography in the street / walkabout photography – I don't know if it has a generally accepted name. But 'street photography' is misleading to me.

  3. tanyanagar January 3, 2013 at 8:49 pm

    With my book : ) (currently sold out on Amazon UK but available in all good UK bookstores and internationally!)

  4. Mike Browne January 3, 2013 at 8:56 pm

    Ha Ha – love it!! I just tried your link but it didn't work – maybe because it's out of stock right now. Don't know where you are in the world but how'd you feel about doing an interview for the chanell?

  5. tanyanagar January 3, 2013 at 9:36 pm

    I'm based in London. What kind of interview? About the book or street photography in general? Links can't be pasted here but if you search for Tanya Nagar on Amazon it will come up!

  6. Mike Browne January 4, 2013 at 12:25 pm

    Hi Tanya. Just had a look at your website (fantastic) and sent you an email. Hope to speak soon – Mike

  7. rpavich January 6, 2013 at 9:47 am

    An elegant and humble reply to a rude and arrogant question.

    THIS is why I like your channel.

  8. Matthew Thomas January 11, 2013 at 7:45 pm

    this is great!

  9. Rowlann January 20, 2013 at 12:48 am

    If you handed someone a book to explain it, then you wouldn't actually be explaining anything at all. Don't take credit for other people's work.

  10. hakf (Armshouse.TV) January 20, 2013 at 2:27 am

    …where did i say I was Elliott Erwitt?

  11. Mike Browne January 22, 2013 at 1:52 pm

    Thank you – Mike

  12. Mike Browne January 22, 2013 at 1:58 pm

    Thank you. Sorry for the omission. I use Nikon a D300 in these vids. Though you can use any camera, they're just photo- harvestors. The most important thing is to find a camera you like and find quick and easy to use. – Mike

  13. Wayne Hubbard January 27, 2013 at 4:04 pm

    Love the film and thanks keep up the great work

  14. Szymon Bielikowski January 27, 2013 at 7:37 pm

    Ok. I do appreciate all the information, as presented in easy to take, and professional matter, BUT… Photographing ketchup bottles ? It must be an UK phenomenon. I'm not trying to be rude, but I think there is a difference between a photographer, and an artist photographer. Me – I prefer being, working, and listening to the artist.

  15. Mike Browne January 28, 2013 at 12:34 pm

    I don't know about a phenomenon – I just saw the bottle tops and thought it made an interesting picture when taken with a long lens / wide aperture. Not one for the wall I grant you – Mike

  16. Val Jean February 5, 2013 at 8:25 am

    Thanks for the video, I will forward this to a friend who usually is afraid of using a wide angle lens to shoot people.
    I call me the "Back photographer" lol because for the longest time he shot people from their rear.


  17. Chris LeTexier February 5, 2013 at 7:44 pm

    its an example.. apply to your own scenario – this is how I see it.

  18. Chris LeTexier February 5, 2013 at 7:45 pm

    Love you're work Mike! Truly enjoy listening and watching your videos.

  19. Chris LeTexier February 5, 2013 at 7:45 pm


  20. Simon Taylor February 11, 2013 at 3:18 pm

    excellent video – really enjoyed it!

    LOVE the pic at 7:18 of the Sauce bottle 😀

  21. Mike Browne February 11, 2013 at 8:02 pm

    Thank you – the sauce bottle seems to be a controversial subject! – Mike

  22. Simon Taylor February 11, 2013 at 8:17 pm

    Ha Ha, yes I noticed 😉

  23. The Cloud Show February 17, 2013 at 3:24 pm

    I like the way you presented the information. Felt very natural.

  24. HealthyJoeful February 19, 2013 at 9:28 pm

    He's such a natural on camera. Perfect presentation with a warm presence. Much appreciated.

  25. Mike Browne February 22, 2013 at 2:34 pm

    It is. We're running a Street Photo competition on our Facebook page this month. If you'd like to enter click the link on our channel page and upload your entry with the words street photography competition in the comment box. – Mike

  26. Miri Duarte March 15, 2013 at 1:54 pm

    I totally appreciate you photographing that ketchup bottle, It's very creative and unusual, keep up the good work Mike, I have learn so much from you, I will be purchasing your course. I can't get enough of you, your are my morning teacher while having my coffee in the morning. Lova ya!!!!

  27. Mike Browne March 18, 2013 at 3:08 pm

    Wow – Thank you 🙂

  28. Tech582 March 19, 2013 at 5:16 pm

    Do you use fast prime lenses for your street photography?

  29. Mike Browne March 24, 2013 at 7:44 pm


  30. Mike Browne March 24, 2013 at 7:46 pm

    No I use the same ones I use every day – though the 70-200 is a fast f2.8. We'll be making more Street photography films looking at using compacts, bridges and phones which are often better than a DSLR for this genre.

  31. Mike Browne March 24, 2013 at 7:47 pm

    Thank you so much for saying so. Please help us spread the word about our films by 'liking' 'G+ing', sharing them and linking to us on photo forums, Facebook etc

  32. Mike Browne March 24, 2013 at 7:47 pm

    Thank you

  33. Mike Browne March 24, 2013 at 7:47 pm

    Thank you

  34. eugene bollander March 31, 2013 at 4:23 am

    Could anyone tell me why Hollywood & the news media keep on saying "Photographers " in French??? I'm an American & I think it's wrong not to use proper American English!!! When anyone enters France do they say Photographer or Paparazzi??? In America you say "Photographer "!!!!

  35. Gavin Day April 1, 2013 at 1:56 pm

    I really enjoyed this video, thank you very much for this 🙂

  36. Mike Browne April 2, 2013 at 9:52 am


  37. Kevin van den April 2, 2013 at 11:42 am

    Hmm.. Best street photography lens is a Sigma 300-800mm !

  38. 7belowzero April 6, 2013 at 7:35 am

    Love the ketchup bottle… Great Capture!… Good work Mike.

  39. Johan Börjesson April 6, 2013 at 9:19 pm

    Great video Mike. I wonder if it's normal to feel a little embarrased when doing street photography? Here in Sweden I feel that a lot of people are really uncomfortable with this type of photography and that translates to me as well because I can sense that they are wondering what the hell I'm doing. Also would a 18-55 kitlens be alright on a crop body for starters?

  40. Travel-O-Graphy April 7, 2013 at 5:45 am

    so telephoto lenses are best for Street,Wildlife,Sports,Macro Photography???

    I love all d above …So should i go for a telephoto lens like Canon 100-400mm , Sigma 150-500mm? I use a APS-C Canon 600D….

  41. Mike Browne April 11, 2013 at 9:45 am

    There's always confusion around this. Long Tele lenses are best for a shallow depth of field, compressing perspective and a narrow field of view. So if you want to take a street, wildlife, sports or macro photo with any of these characteristics then a Tele lens is the way to go. As for which one to buy – I'm sorry I'm not the best person to ask because I've never used any of the lenses you mention. Suggest you have a look at some forums and see what owners are saying about them. Hope this helps.

  42. Bhodisatvas May 7, 2013 at 11:18 am

    7:21 That ketchup is now out of date..another great video. I stumbled across your channel last night and cant stop watching. Thanks for all of them

  43. Mike Browne May 10, 2013 at 6:11 pm

    I expect it is. Pleasure…

  44. Mike Browne May 10, 2013 at 6:12 pm

    Sorry i missed your post. Yes it can take a while to become confident. And you lens will be fine.

  45. robbyboyo May 18, 2013 at 6:16 am

    Fantastic and inspiring. Thank you. I will certainly try your tips.

  46. XTwittyX May 22, 2013 at 9:13 am

    I LOVE THE PHOTOGRAPHY! Your videos are so inspiring! All I wanna do after watching your videos is grab the camera and go outside!

  47. Mike Browne May 23, 2013 at 6:50 pm

    Thank you XTwittyX – and go for it 🙂

  48. Mike Browne May 23, 2013 at 6:51 pm

    Thank you

  49. GrisTooki May 30, 2013 at 4:34 pm

    If your going to spend that kind of money and get something that heavy, you should should get something faster, like a 70-200 f/2.8 and just get a teleconverter if you really need it. The image quality loss from the teleconverter will most likely put it at about the same image quality as those slower lenses anyway, and you'll have the option of having the fast glass when you need it.

  50. GrisTooki May 30, 2013 at 4:40 pm

    Also, telephoto lenses are not necessarily good for street and certainly not needed for macro photography. A lot of people just use a fast 50 for street photography, and there are many ways to achieve the magnification required for macro, most of which don't involve telephoto lenses.

  51. Michael Lynn June 2, 2013 at 5:00 am

    hey Mike, enjoyed your vid. Here is my first crack at some street stuff in boston today.
    michael lynn jr on flickr

  52. samacochan July 14, 2013 at 7:04 pm

    Excellent tutorial. Thank you, Sir.

  53. Jak Hungerford July 16, 2013 at 8:37 pm

    I believe I have found my favorite channel for photography! Thanks Mike Browne!

  54. Mike Browne July 17, 2013 at 10:10 am

    Thank you Jak Clark

  55. mark landers July 18, 2013 at 5:45 am

    I've become addicted to your videos, they you explain everything your doing in real-time while your doing it is awesome and completely motivating. Your friendly European accent helps and makes it more interesting as well.
    In all love your videos, please don't slow down.. .

  56. Jacob July 23, 2013 at 4:08 pm

    I am a beginner & I just got a canon powershot SX280 HS! Its no DSLR but still I have manual control! I got it bcuz I know im a beginner & didnt know if i would use something like the T3I so much! Watching ur videos has helped alot! I now know I can get lens like the 50mm prime (Which i think i would enjoy)! For ur question though! It helps to bring someone along with u! For advice, comfort or just bcuz they have a different view on the world than u do! Hope that helps!

  57. Mike Browne July 29, 2013 at 5:33 pm

    Thank you MrPhotomark. Please help us Not Slow Down by helping us spread the word and grow the community by 'liking' 'G+ing', sharing our videos and linking to us on photo forums, Facebook etc

  58. Mike Browne July 29, 2013 at 5:34 pm

    Pleasure 🙂

  59. Mike Browne August 12, 2013 at 7:30 pm

    Thank you keysignify 🙂

  60. Cliff Carlo October 2, 2013 at 11:40 am

    The Tomato sauce is out of date…Oopps !!

  61. Mike Browne October 6, 2013 at 9:53 am

    🙂 that genuinely made me laugh – thanks..

  62. will powell November 4, 2013 at 12:45 am

    this is something i'm going to have to dive into. thanks mike for the video ,a great educational tool

  63. Mike Browne November 4, 2013 at 7:36 pm

    Pleasure 🙂

  64. Sheldon Seebran November 29, 2013 at 1:01 pm

    Love your videos, learning  a whole lot

  65. Nery Wasserman December 22, 2013 at 4:09 pm

    Very good…

  66. Andy McDonald December 28, 2013 at 3:38 am

    Hey Mike! love your videos so much! your loose and personable style makes you easy to understand and easy to learn from. I think I speak for all your fans and loyal subscribers (of which I am included :D) when I say that you are the best photography teacher on youtube and that many of us wouldn't want to learn from anyone else!!! Thank you so much for spending your personal time to teach us, people that you have never met, but people who love you and the way you teach. We want to express our gratitude towards you and your team for helping us to understand digital photography no one else could.

    P.S. Is that wide angle lens a sigma 10-20mm F4-5.6 EX DC (HSM)? after your street photography videos, I started looking for a wide angle lens and stumbled across this one. I happened to notice it carries a resemblance to the one you always use. If it isn't, can you recommend a wide-angle lens that is around the same price range? I know you are probably very busy, so if you can't respond, I totally understand 🙂 . Once again thank you so much for your devotion to your fans. Please, please continue making videos, you are amazing. Thank you so much, Andy. @Mike Browne 

  67. venger March 4, 2014 at 8:06 pm

    Which  wide angle nikon lens are you using? I have a D7100.

  68. theskiboarder1997 March 9, 2014 at 12:15 am

    Hi Mike! I'm just wondering if you're using the wide angle lens on a full frame or crop sensor camera body, thanks!

  69. Nimi Roy March 13, 2014 at 2:01 am

    Hi Mike.. your videos are simply amazing.. was able to learn a lot of stuffs..Thank you so much !! 🙂

  70. Antonio March 27, 2014 at 3:51 pm

    Nice videos. Do you have any videos of mobile phonegraphy?

  71. Joshua Medina May 30, 2014 at 9:44 am

    You're a great photographer, sir. Photography isn't just about taking pictures but it's also about having a great connection to your subject. Love your videos! 

  72. Sarah Sever July 24, 2014 at 4:55 pm

    Didnt think of using my "landscape" lenses for street photography – how true: it does give a sense of intimacy alright!

  73. Ctrèsbeau Claude March 24, 2015 at 8:44 pm

    Are you thinking to go with the more discreet mirorless camera?

  74. pei broker June 7, 2015 at 11:51 am

    good one, thanks…

  75. Maurício Avellar June 11, 2015 at 1:27 am

    Mike, once again, awesome video. Great as always. I'd like to let you know that your videos inspired me into pursuing photography initially as a hobby and currently as a beginner professional photographer. Love your videos and your simple way to teach things. As a teacher I know how important it is. I'll be sharing this video series as I find it excellent material. Thank you for all your contribution.

  76. pointer2null September 5, 2015 at 9:44 pm

    I love the way this shows you don't need to travel to Alaska or Niagra Falls to take good photographs.

  77. Fred Atley December 18, 2015 at 1:35 pm

    This is great its what I love Thanks Mike.

  78. Fred Atley December 18, 2015 at 3:43 pm

    I'm off to London Bridge borough market soon it's massive and vibrant

  79. llvann January 16, 2016 at 8:25 pm

    I love the info on how to draw people in.

  80. David Ashworth February 19, 2016 at 7:03 am

    I've been watching a lot of your videos just lately and I've found them very informative and enjoyable. I like the way that you don't dumb down your explanations but at the same time do not baffle us with by being too technical. I find your manner very friendly and engaging. Thanks for posting.

  81. Anupam Jadhav February 28, 2016 at 11:41 am

    how to choose a place for photography ?(beginners)

  82. Jake Turner March 6, 2016 at 7:41 pm

    Am I the only one that noticed the rather suspicious, almost secret-service looking blokes in the background (around the 2 minute mark)? It looks like the man in the purple suit has a body guard! Thanks for the video, sir! Very informative, and great for adding that extra bit of insight in certain areas!

  83. Marky P March 30, 2016 at 8:51 pm

    Is this Lymington !?

  84. Jonathan Fletcher July 11, 2016 at 12:35 am

    Love your videos Mike!

  85. St John Manson January 11, 2017 at 11:07 pm

    Love using my nifty 50 for Street 'tog.

  86. peter john March 26, 2017 at 8:10 am

    Ha Ha a dslr in your face nothing says more about someones street photography skills LIKE A DSLR IN THE FACE!

  87. Frank Styburski October 28, 2017 at 5:11 pm

    A couple of things, Mike. I consider myself a street photographer, primarily. But our approaches are very different. I watched you in this video taking pictures of inanimate objects, but it strikes me that the pictures are essentially documentary in nature. They are pictures made in the service of documenting the street market. They tell a story we all know. We've seen pictures like them before. They are comforting, I suppose, in that they show us what we are familiar with. But the pictures rely on their context of place to hook us in with a situation we immediately know. I do a lot of work at street markets and flea markets. My approach is to work with the same inanimate objects that you might use, but frame them in a different context, or isolate them from any context at all. The objective is to allow the viewer to look at what I see in an exciting new way. Here are some examples of my work.

    You make it a point to let your subjects know you are there. I can see how it works for you. It's hard to argue with success! Yet, One of the things that made street photography possible is that technology made cameras smaller, and less intimidating. We don't want to influence the candor of the image we are making. A 4×5 press camera gave way to the Leica rangefinder. We strayed a bit with bigger SLRs and other gear. So, maybe, working with a long lens, from a distance can be more effective. To my way of thinking, the cellphone camera is even less intimidating. Everyone has one, and people are taking pictures with them all of the time. In that sense they are invisible, – even when in use.

    You talk about the importance of taking ownership of the space or situation. It doesn't make a lot of difference. I was shooting some landscaping in a public place. I was out in the open, and very visible. No people were in my line of vision. Yet a woman assumed that I was taking pictures of her kids, and called the cops on me. I showed the officers what I was shooting, and that was the end of it. But this experience is becoming more common. Here in the USA, there are more guns in private ownership than there are people. It scares me that my intentions might be misunderstood, and an altercation might lead to the E.R.

  88. Shakesbits January 18, 2018 at 4:35 pm

    quick tip: Don't ask a German speaker if you can photograph their eggs lol (Sorry, I'm about as mature as a 12 year old sometimes :-D)

  89. Iain Geoghan February 24, 2018 at 10:28 am

    JUST smile and gun them down. People will tell you if they are not happy. I pulled the big 200mm 2.8 and shot a lovely, smiling young lady at extremely close range. When I had my eye through the view finder, I could see her smiling. I smiled, she did not stop smiling and I nailed the shot. Put the machine gun down and smiled as she passed by. it ain't that hard; like anything in photography, you just have to do it. Get out and do it! From experience I did have a few other tricks up my sleeve for this capture. But before I pressed that shutter I could see that I was not fooling her:) and it just made her giggle as she walked by:)

  90. Iain Geoghan February 27, 2018 at 11:44 am

    Mike! I am dying to take people out and help em with street shooting. one or two people max. Suppose I should do some facebook thing or something. Meh, I will figure it out

  91. Vivin Sasidharan March 1, 2018 at 3:30 am

    Can I use 70-200 2.8 in DX body.

  92. Iain Geoghan May 11, 2018 at 9:35 pm

    Gotta have balls! It is all in your head! 🙂 .

  93. hellspite September 30, 2018 at 1:51 pm

    Do you use a UV or ND filter or just a Lens Hood?

  94. MyKonaRC February 6, 2019 at 1:40 am

    4:40 drops a full cup of tea in the garbage

  95. 紫雨老师谈吸引力法则 February 14, 2019 at 1:15 pm

    2019-2-14 首次阅览


  96. Rajiv kumar March 14, 2019 at 10:42 am

    You are just amazing. What to say????

  97. Jose Bueno April 1, 2019 at 12:32 am

    Mike, i love when you make videos like that, it give me a lot of ideas composing. I think i am getting a lot better just by practicing your teachings. Thank you

  98. Iain Geoghan April 7, 2019 at 4:44 pm

    confidence is something you do, not something you are.

  99. Random Dude April 14, 2019 at 4:25 am

    Mike. I watched all these street videos and wow. I took on board your tips of owning the right to be there. I’m shy but went to a local festival and pretended I was confident, spoke to the stall owners and asked to take photos and grabbed their Instagram account to tag them in. By speaking to them I was really able to get in close and work the shots rather than just snapping a couple of pics. Really great advice and it was nice to post best shots for them and get some likes in the process. They were really accomodating and I loved it. Would not of thought I had it in me to do this until I watched your vids and was given the guidance ? love your work Mike

  100. Of The Way Ministries April 15, 2019 at 3:25 am

    As I revisit your videos again to gain more familiarity and appreciation for the process, there is so much more I'm gleaning from your thought process. For street photography, do you attempt to go full manual mode; or do tend to go with aperture priority mode (or possibly another semi-auto priority mode) for your street photography specifically? Thanks for all of your help.

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